Supermarkets are empty. Parts of Caracas are in the dark. The brand new currency has no real value because of a rampant inflation. As Nicolas Maduro starts his second term as president today in Venezuela, the situation is dire in the South American country. Read my latest story from Caracas, that ran today in 24 Heures and Tribune de Genève in Switzerland.
Should a film aim to bypass festivals and be released directly on Netflix? This is the question the major Swiss daily newspaper 24 Heures asked Jean-Cosme Delaloye, the director of STRAY BULLET. His response was unequivocally yes for his latest film. Since STRAY BULLET was released on Netflix, the feedback has been huge. It is incredible to see on Twitter the amount of people the film touched and how far it has traveled in the U.S. One of the main participants of the film has been invited to give talks to college students. People, who had relatives hurt by stray bullets, reached out to us. It has been an unbelievable experience to witness how wide the audience for this film has been. Some films might be more suited for festivals like Jean-Cosme Delaloye’s previous film - LA PRENDA - had been. But the Netflix release has been absolutely fantastic for STRAY BULLET. If you have not watched the film here, you can do so here.
Here is my latest editorial for the Tribune de Genève on the March for our Lives in Washington D.C. It went with this story. In Washington, I was fortunate to meet with Jason Kaplan, the father of twin girls who survived the Parkland shooting. Molly and her sister Rebecca were hiding in a closet during the shooting. They emailed their dad to tell him how scared they were. Jason came from Parkland, FL, to Washington D.C. last Saturday to say that he wanted change.
Here is my latest story for the Tribune de Genève and 24 Heures on the Russia investigation. It came out today in both newspapers [in French]. It tells the story behind the firing of former FBI Deputy Director, Andrew McCabe.
For the past several weeks, I have spent a lot of time shooting in a trial Paterson courtroom and then waiting outside that same courtroom for the verdict. While waiting for it, I was able to capture the life on the bench next to the courtroom's door. I saw people waiting to go in for their court appearance, relatives and a lawyer waiting for a verdict, children waiting for their mom while she was in court. Here are a few snapshots taken in February.
Irma is gone. I am sitting in a cool airport lounge after 4 days without power and 3 without running water. Every time a hurricane hits, you realize how fragile US cities really are. The neighborhood where I was staying was flooded as it was next to the Intercoastal Waterway. We lost power 24 hours before Irma even hit Miami and Internet went out quickly after the win gusts starting punching the city hard. Staying outside was almost impossible. And inside, you could feel the building shaking. As I was outside, I met Andre, a homeless man who was trying to find shelter. Hi face was tatted and you could see in his tired eyes that he had a long and complicated story. When I asked him why he hadn't gone to a shelter, he responded: "The police is not my family". I am wondering whether his family even knew where he was or whether this man had any ties outside his homeless word which seemed to comprise only a few blocks of Biscayne Boulevard. I saw him after the storm walking up and down Biscayne Boulevard. As people were looking for gas, cold water or hot food in powerless Miami, Andre was looking for a cigarette. He had made it past the storm. No it was all about facing the prospect of making it past another day on the streets of Miami.
JCDe Productions is proud to launch its new website. On this blog, we will document what it takes to make an independent documentary film and provide behind the scenes insight into our stories. Don't hesitate to get in touch!